Bought "The Search for God in Egypt" for this one quote:
"...uraeus-serpent with huge flame
rich in magic, mysterious of form,
hidden ba to whom reverence is shown!"
That affirms my claim that ba and the uraeus alike are pointing at the same thing as the kundalini serpent.
The "huge flame" bit is the same fire from the "fiery baptism of the Holy Spirit", the "smokeless fire" from which djinn are said to be born, the fire that created the ashes from which the Phoenix rises, the dragon's (Draco = serpent) fiery breath, the fact that pyramid means "fire" + "middle", etc. Dr. Lee Sannella M.D., friend of Itzhak Bentov, remarked in his book "Kundalini: Psychosis or Transcendence" upon heat manifestations in kundalini testimonials. I believe this "fire" is really just electrical signals generated by the motion of the electromagnetic kundalini serpent in close proximity to the spinal cord which is the central manifold for electrical signal distribution in the body. It's the "right hand rule" from physics electromagnetism studies.
The presence of "magic" links in because magic derives from Magi and the Magi were really the Medjay. The "dj" translates from the...asp (serpent) hieroglyph in Egypt. Egyptian words with the "dj" spelling have some kind of relationship to kundalini and enlightenment, i.e. djinn, Djedi the magician, Djedd pillars, Djehuti (Thoth), Wadjet the winged rainbow serpent, etc. Magic, to me, is really "medjaic" and the link between modern stage illusion entertainers and ancient, enlightened sages is the Golden Rule. Each accounted for the perspective of their audience. If a stage illusion performer fails to do so, they will be undone as a magician. As they say, a magician never reveals their secrets. The only way to do that is to understand the perspective of those with whom you are interacting and work with that understanding. The Magi/Medjay simply did that in order to love others, whereas modern illusion performers do it to entertain others, which certainly isn't devoid of love in it's own right.
The fact that the ba is "hidden" affirms what I've said about magnetoreceptive vision being necessary. What is hidden can be revealed by SOME method : )
The fact that reverence is shown to the ba points at the idea that the ba is in some way "divine"...i.e. "the Divine Feminine".
Huge quote. Looking forward to reading through the rest of the book to see what other good stuff is in there.
"...uraeus-serpent with huge flame
rich in magic, mysterious of form,
hidden ba to whom reverence is shown!"
That affirms my claim that ba and the uraeus alike are pointing at the same thing as the kundalini serpent.
The "huge flame" bit is the same fire from the "fiery baptism of the Holy Spirit", the "smokeless fire" from which djinn are said to be born, the fire that created the ashes from which the Phoenix rises, the dragon's (Draco = serpent) fiery breath, the fact that pyramid means "fire" + "middle", etc. Dr. Lee Sannella M.D., friend of Itzhak Bentov, remarked in his book "Kundalini: Psychosis or Transcendence" upon heat manifestations in kundalini testimonials. I believe this "fire" is really just electrical signals generated by the motion of the electromagnetic kundalini serpent in close proximity to the spinal cord which is the central manifold for electrical signal distribution in the body. It's the "right hand rule" from physics electromagnetism studies.
The presence of "magic" links in because magic derives from Magi and the Magi were really the Medjay. The "dj" translates from the...asp (serpent) hieroglyph in Egypt. Egyptian words with the "dj" spelling have some kind of relationship to kundalini and enlightenment, i.e. djinn, Djedi the magician, Djedd pillars, Djehuti (Thoth), Wadjet the winged rainbow serpent, etc. Magic, to me, is really "medjaic" and the link between modern stage illusion entertainers and ancient, enlightened sages is the Golden Rule. Each accounted for the perspective of their audience. If a stage illusion performer fails to do so, they will be undone as a magician. As they say, a magician never reveals their secrets. The only way to do that is to understand the perspective of those with whom you are interacting and work with that understanding. The Magi/Medjay simply did that in order to love others, whereas modern illusion performers do it to entertain others, which certainly isn't devoid of love in it's own right.
The fact that the ba is "hidden" affirms what I've said about magnetoreceptive vision being necessary. What is hidden can be revealed by SOME method : )
The fact that reverence is shown to the ba points at the idea that the ba is in some way "divine"...i.e. "the Divine Feminine".
Huge quote. Looking forward to reading through the rest of the book to see what other good stuff is in there.