but that’s my whole point: the show, like the novels, are about the violence of postwar capitalism unleashed by the decline of hegemonic england and the british empire

the producers’ brilliance was to let the white-on-white violence roll whilst smacking down the neocolonialism of late-stage capitalism INSIDE ENGLAND and against it’s white people. .

this is one instance that as a WOC, am not bothered by the casting.

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