Damus
Henrik Flyman · 8w
https://henrikflyman.com/nostr/future_vs_legacy_world.webp Lately I’ve been thinking a lot about value-for-value, Nostr, and how music might evolve outside the legacy industry. My sense is that we...
Aaron of Essex profile picture
I like this take and agree both systems will work alongside each other for years. For new artists this should be the first place they should publish their stuff.
We want new original music, music devoid of legacy contracts, labels and lawyers. (although I welcome any act crossing the rubicon to publish to the DeMu network)

Another point re the success of the Radiohead experiment was that the band were already massive because of the labels. Which made their pay what you want model a success.
The labels existed to create an audience for the band Radiohead had a huge fan base.

So it will be fascinating to see how the v4v model creates new audiences and what level of support a band can achieve, going down this road.

I"d love @joemartins take on this.
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Henrik Flyman · 8w
I agree that it would be great if this became the preferred option for newcomers. In the end, I think it comes down to two factors. 1. The size of the potential audience. 2. The possibility of earning some income. If income is not really there, then audience size becomes the deciding factor. If in...
Hash Power Music · 8w
nostr:nprofile1qqsz3jspndutf9xzt2w694j9jadg2qw8axd3zvpwtjl8frh9j07t9nqpzamhxue69uhky6t5vdhkjmn9wgh8xmmrd9skctcppemhxue69uhkummn9ekx7mp0qywhwumn8ghj7mn0wd68ytndw46xjmnewaskcmr9wshxxmmd9uufdwtc
Mike Pair Money · 5w
Getting the message out about #v4v is essential for adoption. People need to develop the habit of rewarding musicians with zaps. I agree that many users are not a part of the lightning ecosystem.