Damus

Recent Notes

Mx. Chara Aznable (they/them) of Pnictogen profile picture
One of the dirtiest of dirty secrets in the #tech sector is a very simple one: the "techno-optimism" and the "e/acc" and all the other ways of superficially honoring the notion that the technology corporations of the United States are guiding everyone into a future of abundance and high-tech miracles, the practical spirit of U.S. #technology is profoundly conservative, hidebound, stagnant, and focused only on an exceedingly thin assortment of hot topics...basically whatever they perceive as the easiest ideas to monetize.

All the burbling about #innovation and #building and all the rest of the optimistic noise is mostly noise. It's not clear the degree to which any of the people crowing about "acceleration" really have anything noble in mind, however abstract and tenuous.

(cont'd)
Mx. Chara Aznable (they/them) of Pnictogen profile picture


I don't want to be too unoriginal when it comes to hot takes about PJ LOTR, but I would like to offer this thought.

The full story of how Peter Jackson was allowed to make a mockery of The Lord of the Rings--a popular mockery, a profitable mockery, but still a mockery--has not been told and I will go so far as to speculate that the evil #tech barons who are now profiteering off #Tolkien symbolism must have played some role in the unprecedented funding of THREE gigantic blockbusters headed by a trashy horror-comedy director whose previous (and first) Hollywood movie was a dud called The Frighteners.

I remember my own surprise when I first heard about it. It seemed like an extraordinary gamble, but what if Jackson was backed up by the promise of massive funding from villains such as the "PayPal mafia"?

(cont'd)

note1c68xn...
Mx. Chara Aznable (they/them) of Pnictogen profile picture
@nprofile1q... I think we may have a fundamental difference of temperament here. I'm willing to put up with a lot that's questionable about depicting mental illness or neurodivergence in a movie so long as I think there's some reason behind it. Shyamalan's work reminds me considerably of unusually good B-movies from earlier decades, as from Sam Fuller and Budd Boetticher, movies that might be regarded impartially as "exploitation movies".