Damus

Recent Notes

LWB · 1w
Close one, in TQE you guys cooked, but catch my hint Isaac 🤣
Isaac Delahaye profile picture
We added a song we haven’t played in years to the summer festival setlist, and I’m in 😍 with the sacred geometry visuals that accompany the track.
Too bad I can never see the show from the audience though 😂
Either way, I’m having a great festival season so far! 🤘🏻🤪🤘🏻


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LWB · 1w
Ooooh which song is it? Kingdom of heaven pt. 2?
Gucky · 1w
Wow!!!
Justin_Tokyo ⚡️ · 1w
Wow ! They look mesmerising !
Tracking Token Disrespector · 2w
🤖 Tracking strings detected and removed! 🔗 Clean URL(s): https://youtu.be/TrHXFY3Gzs8 ❌ Removed parts: si=m3UvadYSKxArfw_2
LWB · 8w
Why does it feel like an Epica's song? nostr:nprofile1qqsxazmp7055p86ag7yayacz5sfkktkc6kp487vhtuwjtukfvr3gckspp4mhxue69uhkummn9ekx7mqppamhxue69uhkummnw3ezumt0d5vdpfmh is Arien a Fibonacci enjoyer? ...
Isaac Delahaye profile picture
Well, I guess it has to do with flow & vibe. We’re so used to 4/4 music. Calculated & within boudaries.
But when composing without a 4/4 in mind, you often feel the music flow much more into the unknown. That’s usually when odd signatures appear. If done right, you don’t really notice them; the flow seems perfectly logical.

F.e. the mid-parts of Universal Death Squad and Darkness Dies in Light. It basically wrote itself once I stopped caring about time signatures, and I just let the music I already had dictate what should come next.
Peg Otis · 9w
I think your band could pull off a creative cover of Trøllabundin . I do enjoy the massive production you put on (never seen in person... don't generally attend large shows anymore). https://youtu.be/jPkhIP91wLc