Good Boy (2025) is a horror film told from the dog's point of view.

Normally, I see a dog (or baby) and think, "yep there's someone right off camera with a finger puppet or a treat," but this dog (Indy) was operating at another level.

It looked like he was able to internalize multi-step directions and actually ACT, although I'm sure editing and camera placement helped too.

Otherwise, an average film. #film #filmstr

The Dune: Part Three trailer looks good.

But if I could have only one adaptation it would be for God Emperor of Dune.

And maybe it would look better animated?

What would the Quiznos Hazmat want? 🤔

In the Odyssey Odysseus's dog (Argos) is old and weak but thrilled when he recognizes his master before dying peacefully.

I'm not aware of any other text where that trope of the loyal dog appears earlier and I hope I see it in Nolan's adaptation and I hope it hits just as hard as when I first read that poem years ago.

My second favorite example of that archetype is a certain scene from Robin Hobb's Assassin's Apprentice but I won't say anything else in case someone wants to drop what they're doing and read the first book in a trilogy which kicks off a 16 book fantasy series.

The ATU system catalogs plots from folktales for cross-cultural comparison.

"The Magic Mill" (ATU 565) is a tale type where someone gets a magical grinding mill that cranks out meal or salt or what-have-you, but the mill only listens to its true owner and causes havoc when others try to use it.

Why is the ocean salty? Well, a long time ago a magic salt mill fell into a sailor's hands and he unintentionally filled the ocean with salt because he couldn't turn it off.

Magic mill go brr? 🤔

What if two civilizations were fundamentally incompatible and the only recourse was war?

The Sun Eater series by Christopher Ruocchio is a good read if you have some tolerance for melodrama and minor pacing issues.

It's thousands of years in the future and humans are living on thousands of different planets. The technology is hard to distinguish from magic but the social structure is late stage Roman Empire.

Roucchio uses a first-person narrative framing device to great effect. Think Kvothe in The Name of the Wind. And just like Kvothe the protagonist (Hadrian Marlowe) is a bit self-absorbed.

But unlike Kvothe it's established in the first paragraph that Hadrian will follow an "innocent Anakin becomes jaded Vader" arc.

The world-building is strong, too. There's echoes of Dune, The Hunger Games, Red Rising, and Game of Thrones, but the storytelling doesn't usually feel derivative.

The killer combo for me is that Ruocchio is unsentimental about politics and power but optimistic about what groups of individuals can do. I had never seen a speculative fiction writer explicitly reference Jouvenel's high-low vs middle dynamic.

And yes there's an alien civilization but first contact is less Arrival and more "let's be friends oh wait you seem to enjoy the taste of human flesh as something of a delicacy."