Damus
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hopelessromantic
@hopelessromantic

β„­π”²π”―π”žπ”±π”’π”‘ ℭ𝔬𝔫𝔱𝔒𝔫𝔱

Relays (8)
  • wss://relay.primal.net – read & write
  • wss://relay.damus.io – read & write
  • wss://purplepag.es – read & write
  • wss://nos.lol – read & write
  • wss://relay.mostr.pub – read & write
  • wss://nostr.oxtr.dev – read & write
  • wss://relay.nsec.app – read & write
  • wss://relay.nostr.band – read & write

Recent Notes

Gregor · 3d
formative
hopelessromantic profile picture
The Destruction of the Temple of Jerusalem, circa 1867. Painted by Francesco Hayez (1791-1882).

This painting depicts the destruction of the Second Temple in Jerusalem during the storming of the city by Roman Army during the Great Jewish Revolt. It was a significant moment in the development of the diaspora of the Jews across Europe and the Middle of East. Hayez based his depiction on the description of the historian Josephus.

1❀️3⭐1πŸ’ž1
ew0k · 2w
She ghosts him at the end of the movie
nostrich · 2w
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nostrich · 2w
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hopelessromantic profile picture
Bronze and Crystal Sword from China, c.450-250 BCE: the hilt of this sword was crafted from rock crystal, turquoise, and gold.

This sword is more than 2,200 years old. The elaborate hilt was carved from a piece of rock crystal and then embellished with turquoise stones and intricate patterns of inlaid gold.

The blade itself was forged from bronze, and it has a greenish-blue patina that was naturally produced over time.

This bronze sword from the Warring States period stands as a testament to engineering and artistic excellence. Meticulously detailed, the sword features a slender, formidable blade that would have delighted its owner both in battle and aesthetically.

However, the true star of this sword lies in its exquisitely decorated hilt. Adorned with inlays of rock crystal, turquoise, and gold, the hilt showcases the remarkable technical and artistic skills of ancient Chinese artisans. These precious materials not only enhance the sword’s visual appeal but likely communicate the status and affluence of its owner.

The sword’s intricate craftsmanship and use of rare materials suggest it was likely commissioned by a wealthy and influential individual, such as a high-ranking military commander or an aristocratic elite.


LWB · 2w
Going forward in life consolidates this notion for me. Looking back to when I was a kid and people told me anything that I brushed off as old people bullshit, is now revealing as precious teachings, too difficult to understand as a kid. Too bad.